Present ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ _
written by: Daniil Kharms
movement by: Timothy Scott
sound by: Nicolas Noreña
"In his diary entry dated Tuesday, December 31, 1929, 11:45 p.m., Daniil Kharms noted that the meaning of a dream may be found in a direct reversal of its manifestation. He went on to conclude that it is utterly difficult to find an inversion for every situation. "
written and directed by: Nicolas Noreña
performed with: Timothy Scott, Kelsey Larsen, Hannah Gross, Arian Rad, Isabella Uzcategui, Lizzy Kehoe
Two performances happening simultaneously under a thunderstorm in mid august on opposite sides of a racketball court.
He can remember his previous lives, she can foretell the future.
The performance is performed in Spanish by performers whose first language is english.
SsOuLn MlOuOnNa was presented as part of REGION (ES) festival at Maria Hernandez Park in August 2019.
THE THIRD MAN
written and directed by: Nicolas Noreña
created with: Tanya Marquardt, and Timothy Scott
developed and performed with: Tanya Marquardt, Alessandro Magania, Paul Langland
"It could begin all in darkness,
or a man looking straight into a big hole,
big important image...
this is some kind of homo-erotic film noir
some kind of allegory
some kind of surreal vision
it begins all in darkness"
created by: Nicolas Noreña and Timothy Scott
A mystical romance, a ballet about human faced with the unknown and the awe, and the fear, and the mystical longing for union with that which is beyond understanding, be it death, exotic far off places, chance, or an intergalactic being. Herds longing for the past, what happens with the spaces that held their previous lives? Do spaces haunt people or do people haunt spaces? A brain-washing spectacular! Subliminal messages! Headphones! A caveman! An alien! A nun! A toothless woman with a lottery ticket! Fruit! Crowds going mad! A ghost! And much more! Stay tuned!
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directed by: Nicolas Noreña
written by: Nicolas Noreña and Timothy Scott
1001SUR is a theatrical reimagining of the One Thousand and One Nights as told in a roadside bordello on the frontier between two undisclosed South American countries. It is a journey into the realms of “the exotic,” where layers of wishes, dreams and desires intermingle outside of the limits of reality. 1001SUR is an exploration of transcultural fantasies, an inquiry into the origins of narrative, an ode to Imagination.
directed by: Nicolas Noreña
created with: Erin Mullin and Timothy Scott
A theatrical fugue for two actors about ancient memories, paradox and the division into the sexes; They were, or they weren't / On an island, or no island / an ocean, or not an ocean / swallowed them up, or not. A man and a woman roam a small confined space, unable to percieve each other, perhaps able to perceive each other, peacefully stuck. The piece loops until every audience member, at their own will, leaves the theater. A meteor fell / or no meteor / A volcano exploded / or no volcano / someone summoned something / or nothing was called / in this Atlantis / or no place
(8) Memories of this Atlantis, or No Place was partly developed through Mabou Mines Resident Artist Program 2016
Morning to be Changed from the Morning to the Morning, or Belly of the Whale
a portrait in 24 hours or 25 frames
directed by: Nicolas Noreña
created with: Lizzy Denning, Ethan Fishbane, Jade Fusco and Caitlin Hargraves
with: David Bernstein, Hannah Gross and Timothy Scott
Fragments of a broken Self journey through the 24 hours of a day
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But who are these people?
What is it in their language that is so familiar?
Don't the recognize each other?
directed by: Nicolas Noreña
performed by: Timothy Scott, Annick Marie Dall, Nicolas Noreña
Three individual pieces from three different performances are layered on top of each other in an attempt to transpose a sense of natural narrative into space. The back layer is part of Napoleon a piece done in 2009, the middle from Morning to be Changed... done in 2012 and the front layer a piece from (8) Memories of this Atlantis... which will premier in 2014. The audience lights the performance with flashlights like in a excavation-- a reflection on perspective and how we make sense of memories.
Presented as part of AUNTS at Arts@Rennaissance in June 2013.
directed by: Nicolas Noreña
performed by: Timothy Scott, Hannah Gross, Ethan Fishbane, Erin Mullin and, Nicolas Noreña
"all things instinctively appear to us as though they did exist independently, as though they were endowed with their own autonomous self-existence. Take for example a mountain. From its own side, it ___________ to have an inherent substantiability and massiveness independent of all conditions. It stands there ___________ us: imposing, independent and concrete. But upon reflection we shall slowly become aware that _______ mountain depends for ___ existence upon a variety ___ causes and conditions as well as innumerable _______ __________ _______ ..."
directed by: Nicolas Noreña
with: Jon Fusco, Heather Thiry, Caitlin Hargraves , Zachary Luke, Thomas Skea and Gili Nir
Constant flux: A room with two fridges three stove-ovens, a dishwasher, some blinds, some bathtubs, a broken sink, no windows, a mirror, envelopes with hundred dollar bills, postacards from Hawaii, a stolen painting by a famous artist, high heels, a man and a woman with neck braces, arm slings, leg casts,and head bands. Is her lover coming today?
created by: Hannah Gross, Timothy Scott and Nicolas Noreña
Presented at MoMA The Museum of Modern Art through BOOKCLUB.
A pregnant woman is stuck in The Newsstand, she calls for help. Two eyes dancing. four counts eyes open. four counts eyes closed. A crowd of people. A dance piece sprinkled with existentialism and the mysterious feeling of getting stuck.
Hannah Gross, Timothy Scott and Nicolas Noreña are LEIMAY/CAVE fellows 2015-2016.
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The Observatory
directed by: Nicolas Noreña
an eccentric vision
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